
Rosalía has never shied away from bold visual storytelling, but her latest music video may be one of her most provocative yet. In the video for her new song “La Perla” (“The Pearl”), the singer appears wearing what looks like a medieval chastity belt — an unexpected accessory that has already sparked intense conversation online.
In “La Perla,” Rosalía confronts the emotional aftermath of a toxic relationship. The song centers on a former lover she characterizes as deceitful and manipulative, someone who thrives on charm while quietly stealing her peace. Rather than dwelling in vulnerability, the video shows Rosalía preparing herself for battle — both metaphorically and visually — against any future harm.
The video opens with the singer slashing the air with a fencing sword, setting the tone for a series of increasingly extreme and symbolic acts of self-defense. As the song unfolds, Rosalía appears in a bite suit while walking two attack dogs, then later suits up in full hockey gear at a skating rink. Each scene presents a different form of armor, suggesting a woman actively fortifying herself against emotional danger.
The most talked-about moment, however, comes when Rosalía strolls through the streets of Miami wearing a metallic chastity belt paired with a cropped hoodie and low-rise pants. The juxtaposition of medieval hardware with contemporary streetwear makes the look impossible to ignore.
Historically, chastity belts are widely believed to be more myth than reality. According to institutions like Smithsonian Magazine, there is little credible evidence that medieval chastity belts were commonly used, despite popular lore suggesting that men locked their wives or daughters into them while leaving for war. Still, the idea of the chastity belt persists as a symbol of extreme control over women’s bodies — a male power fantasy rooted in fear, ownership, and sexual anxiety.
That symbolism is precisely what makes Rosalía’s choice so potent. By wearing the belt openly and styling it as fashion, she strips it of its original intent and reclaims it on her own terms. Whether or not such devices truly existed is almost beside the point; the cultural myth surrounding them is powerful enough to serve as commentary on historical and modern attempts to police women’s sexuality.
It is also worth noting that while medieval chastity belts may be fictional, chastity as a concept has existed in many forms throughout history and remains present today, including within consensual fetish culture. Rosalía’s irreverent use of the belt seems aware of these layered meanings, blurring the line between protection, restriction, and desire.
The visual choice aligns closely with the themes of Rosalía’s recent album Lux, which draws heavily from medieval Catholic imagery and the lives of rebellious female saints. The album explores faith, suffering, and transcendence through what the artist has described as a lens of female mysticism and spirituality. Many of the saints referenced in Lux lived violent, defiant lives, resisting patriarchal control even at the cost of martyrdom.
Fans were quick to add their own interpretations. On X, several users joked that the belt resembled something far less restrictive, with more than one commenter noting that, at a glance, it looked suspiciously like a strap-on harness. The playful reactions highlight how easily Rosalía’s imagery invites reinterpretation, especially within queer and online fan communities.
The timing of the video has also fueled speculation about Rosalía’s future projects, including her upcoming appearance in Euphoria season three alongside her ex, Hunter Schafer, and creator Sam Levinson, whose productions have often faced criticism for their portrayal of women. Whether intentional or not, the chastity belt reads as a preemptive statement: a refusal to be unguarded again.
Ultimately, “La Perla” continues Rosalía’s tradition of transforming loaded symbols into tools of self-expression. If she can create a 13-language album rooted in orchestral arrangements, poetry, and spiritual rebellion, reclaiming the chastity belt as fashion — and subversion — feels entirely on brand.
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